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Blueborne 

​Field records of presence, formed in collaboration with place, gesture, and light. 

 

Blueborne is a body of original cyanotype prints created during a journey from prairie skylines through the Rocky Mountains and along the silty shores of alpine lakes in Western Canada. Painted without light and dried in prairie heat, each print was composed with gathered botanicals, then exposed beneath the intense Kootenay sun. The pieces were toned with pigment and coffee, and signed with a hand-carved seal. 

 

These works are refined impressions—imprints of place, presence, and process. They dwell at a threshold: between memory and form, body and breath, landscape and spirit. Each one is a singular record of presence, made through stillness and attunement. 

 

They hold an echo for what touches and moves through us—what dissolves, and what remains.

A curated selection of original cyanotypes from the Blueborne series is now available to collect via Saatchi.

Blueborne_Vestige.jpg

Blueborne: Vestige
Cyanotype on BFK Reeves paper, natural pigment 
22 × 30 in | 2025
An imprint of weather, held in the shape of memory.

Blueborne_Penumbra.jpg

Blueborne: Penumbra
Cyanotype on BFK Reeves paper, natural pigment 
| 15 × 22 in | 2025
A trace between knowing and unknown.

Blueborne_Matrice.jpg

Blueborne: Matrice
Cyanotype on BFK Reeves paper, natural pigment 
| 15 × 22 in | 2025

The place beneath, where form first stirs.

Blueborne_Lilt.jpg

Blueborne: Lilt
Cyanotype on BFK Reeves paper, natural pigment | 15 × 22 in | 2025
A fleeting trace, lifted by breath and light.

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