Blueborne is a body of cyanotype prints made during a journey from prairie skylines through the Rocky Mountains and along the silty shores of alpine lakes in Western Canada. Painted without light and dried in prairie heat, each print was composed with gathered botanicals, then exposed beneath the intense Kootenay sun. The pieces were toned with pigments — including coffee and traces of blood — and signed by hand carved seal.
These works are field records of presence — of what touches and moves through us, of what dissolves and remains. Softened toward indigo, they dwell at a threshold: between memory and form, body and breath, landscape and spirit.
A curated selection of original cyanotypes from the Blueborne series is now available to collect via Saatchi.

Blueborne: Vestige
Cyanotype on BFK Reeves paper, toned with natural pigment | 22 × 30 in | 2025
An imprint of weather, held in the shape of memory.

Blueborne: Penumbra
Cyanotype on BFK Reeves paper, toned with natural pigment | 15 × 22 in | 2025
A trace between knowing and unknown.

Blueborne: Matrice
Cyanotype on BFK Reeves paper, toned with natural pigment | 15 × 22 in | 2025
The place beneath, where form first stirs.

Blueborne: Lilt
Cyanotype on BFK Reeves paper, toned with natural pigment | 15 × 22 in | 2025
A fleeting trace, lifted by breath and light.